Bluegrass wunderkind Wyatt Ellis shovels coal into the firebox of tradition with the debut of his bluegrass band. Originally penned in 1957 by Pike County, Kentucky mandolinist Cuddles Newsome, Choo Choo Coming laid the groundwork for what would become rockabilly music. When The Stanley Brothers put their stamp on it in a few years later, they cemented the classic train song’s place in the bluegrass canon. Now, nearly 70 years later, Wyatt and his young band are taking hillbilly music full steam ahead, delivering high-energy picking, tight harmonies, and the powerful drive that defines authentic Appalachian music. With deep respect for tradition and unstoppable drive, Wyatt pushes the rhythm forward like a locomotive. His band matches his energy at every turn—raw, unfiltered, and hard-driving bluegrass straight from the Smoky Mountains. Immersing himself in studying the icons of the genre like Bill Monroe, The Stanley Brothers, The Johnson Mountain Boys, and Keith Whitley, Wyatt has honed his craft with relentless dedication. Now, as he turns 16, he’s proving himself, not only as a world-class picker, but a commanding vocalist and natural bandleader to boot. This landmark release captures the spirit of old-time mountain music while breathing new life into a genre that’s been rattling down the rails for generations. With Choo Choo Coming, Wyatt Ellis marks his arrival as an artist ready to carry the torch of traditional bluegrass and old-school rockabilly music into the future, full speed ahead. He’s not just preserving tradition—he’s pushing it forward, grounded in the hills that raised him and driven by a fire all his own.

Knee High Records is proud to announce a new single from bluegrass wunderkind Wyatt Ellis ft. bluegrass legend Peter Rowan, which pairs two songs on a limited-edition 7" 45 RPM vinyl. The project is a milestone in bluegrass music history, symbolizing both a tribute to the past and a bridge to the future. Winds of Rowan County, an original composition co-written by Wyatt and Peter, pairs seamlessly with the duo's cover of Bill Monroe's Memories of You. This limited first pressing is not only a nostalgic physical format but a celebration of the intergenerational spirit that defines bluegrass and a nod to the early recordings of the genre. A tradition that can only be kept alive by the hands and hearts of musicians like Wyatt Ellis and Peter Rowan. It's a historic release that honors Rowan's legacy while passing the torch of the "old school" to bluegrass music's newest flame-keeper. Together, these two tracks showcase an incredible lineup of musicians supporting the performance. With Peter and Wyatt lead the charge on lead mandolin and guitar, Christopher Henry adds mandolin harmony, David Mansfield and Christian Ward play twin fiddles, while Max Wareham's banjo and Mike Bub's bass give the rhythm section a foundation that drives the music forward. The nostalgic format punctuates the collaboration of these two generational musicians, each bringing their unique sound and interpretation of tradition, creating a powerful, authentic snapshot of bluegrass history that honors the legacy of Peter Rowan and secures his lasting influence on future generations.

Happy Valley is a bluegrass revival album wholly comfortable
in modern Americana's mainstream conversations.”

Happy Valley is a curated collection of twelve original instrumental tunes written when Wyatt Ellis was twelve-years-old. The album, named for a holler near his home in East Tennessee, showcases the skill of young Wyatt playing alongside twelve of his mandolin heroes, backed by an all-star bluegrass band. Produced by Justin Moses, the project was serendipitously recorded on Happy Valley Road, a homestead once owned by Grand Ole Opry member Grandpa Jones and his wife Ramona outside of Nashville. The picturesque title simultaneously reflects a love of his home state's natural beauty and the rich musical legacy of the musicians who were here before him. Rooted in tradition but adventurous in spirit, the project illustrates Wyatt’s reverence for the genre’s pioneers, as well as a respect for its trailblazers. A vivid snapshot of Wyatt's boundless musical creativity and curiosity in its earliest stages, his debut album, showcases how the young multi-instrumentalist effortlessly layers his respect for the history and tradition of bluegrass with humble virtuosity. At any age, an album this impressive is an incredible accomplishment. However, in referencing Wyatt, his age becomes irrelevant. Taken together, these twelve tunes seem to echo from somewhere beyond his years, beyond Wyatt’s home in the foothills of the Smoky Mountains; echoes that are still there, still alive, still inspiring, still pulsing the way they have been since the beginning of time guided by the ancient tones to which we are all connected.